Publicado19 Mai 2013
A nigeriana Wura-Natasha Ogunji apresentou em Abril, no CCA de Lagos, a peça "Will I still carry water when I'm a dead woman?". O artigo escrito por Wana Udobang uma das intervenientes na performance para ser lido no seu blog.
"As far back as I can remember, I have always been an artist’s guinea pig, whether its being an extra in my friends Claire or Ghandi’s student films or Victor Ehikhamenor’s installation piece for his exhibition ‘Entrances and Exits’, I am always a willing collaborator. This was the reason why when Nigerian/American artist Wura-Natasha Ogunji asked me to be a part of her performance piece titled‘Will I still carry water when I am a dead woman’, I couldn’t refuse. The idea she told me, would be myself and other women, dressed in mini jumpsuits carrying kegs of water strapped to our ankles walking through the inner streets of Sabo, Yaba led by Ogunji herself and documented by videographer and film maker Ema Edosio. During hangouts with Ogunji, she had explained that she was very interested in using her work to explore women in public space. She had also mentioned her obsession with the Egungun masquerade and her curiosity as to why women were prohibited from the practice.
E sobre a artista nigeriana residente nos EUA podemos saber mais e acompanhar o seu percurso aqui